|Detached, film still. Credit: Elaine McCague|
What are your impressions of West Cork as a creative place for dance?
West Cork has surpassed my expectations as a creative place for dance, from the support available to dance artists and the range and quality of work being created here by inspiring artists based locally. It has been lovely to connect with the artistic community in West Cork who are so supportive and welcoming.
What was the Inspiration for your work?
In 2020 I moved to rural West Cork and found myself surrounded by detached derelict cottages. The layers of homestead Irishness and left rooms filled with sentimentalities and objects and memories alongside many pairs of eyes uncovered under the dust of time intrigued me to think about these places once called home. As an aerialist, I'm always looking to create new circus apparatus, and look at transferring the circus body, movement and skills from traditional apparatus such as the trapeze and rope onto both the structure and objects found in the domestic space. Through the process of making the short film, and a residency in Uillinn earlier this year to research a range of textiles under tension for new apparatus, the idea to consider specifically the textiles found within the derelict houses became the basis to explore a concept for this new work.
What point did the work go from concept and development to becoming a full work?
The film aspect was completed this time last year and the performance piece is in the final stages of development and rehearsal. This piece will premiere to an audience for the first time at Uillinn Dance Season. The pieces shown in Uillinn are the beginnings of a body of work with the ambition to create a series of ten films, installation and performance pieces responding to these detached rural dwellings.
How has your work evolved by bringing it to West Cork Arts Centre?
Detached the film was chosen to be programmed as part of the Uillinn Dance Season programme and in following a research residency at Uillinn and talking with the programming team the opportunity to present a live performance and installation aspect arose. The team at Uillinn have been hugely supportive and the gallery is a really unique space to present aerial dance.
Has the way you approach the work you are presenting changed from the time of its creation given that the Uillinn is a gallery space?
My interests are to create and work site-specifically and often the space presents itself before I approach the design of the performance. This is exactly what happened with this project and so it has allowed me to develop the piece working with the gallery space in mind.