A Forest Sounds Like a Ship at Sea:
Who came before
Day 11: Remote Residency at Uillinn: West Cork Arts Centre, Skibbereen, Ireland, 7/18/22 to 8/13/22, Maria Driscoll McMahon checking in from New York State
Michael Naranjo, The Prayer, bronze, 1986 |
Although the story of the indigenous people of the United States is not a story for me to tell - it is a story that MUST be told - and taught - by the people who live it and whose own ancestors lived it. There is not a day that I walk in any forest on U.S. soil when I do not think of those who came before me, and, as a descendant of colonizers, I must not be silent about the truth of history.
With that conviction in mind, I took a visit to the Rockwell Museum in Corning, NY, to see displays of artwork created by artists indigenous to the United States - some of whom were, or are, members of the Haudenosaunee Confederacy of six nations: Mohawk, Oneida, Onondaga, Cayuga, Seneca, Tuscarora. It is my understanding that surviving members of the Carantouan Nation (Susquehannocks, Andaste) who likely lived closest to Ridgebury, Pa. were eventually assimilated into the Haudenosaunee Confederacy.
In addition to works in their permanent collection, the work of two contemporary Native artists was also on display 1) Objects in Motion: Wendy Red Star’s Accession Series and 2) Please Touch! The Art of Michael Naranjo. Additionally, Wendy Red Star's artwork is also on display just around the corner at Kids Rockwell Art Lab.
I highly recommend EVERYONE to go see these moving, powerful SUBLIME exhibits, including the work at the Kids Rockwell Art Lab!
If you can't get to the Rockwell Museum, please do click on the links to some artists included in the various exhibitions to learn their stories as only they can so brilliantly tell them.
Michael Naranjo, Deer Hunter, bronze |
I was deeply moved by this piece as it seemed to exemplify for me a full awareness of the sentience and sapience of all beings and connections between the human and non-human.
Wendy Red Star, Clockwise: 1) Catalogue Number 1948.102, 2019; 2) Crow Peace Delegation, Pretty Eagle (detail); 3) Indian Summer, 2006; 4) Her Dreams Are True (Julia Bad Boy), 2021 |
Norman Akers, Elk Calling, 1999, Oil on canvas, 66 3/8 × 60¼ inches, Clara S. Peck Fund, 2000.17.1 |
Judith Lowry (born 1948), Family: Love's Unbreakable Heaven, 1995 |
Now added to my bibliography |
https://www.haudenosauneeconfederacy.com
Other artist links:
John Feodorov
Lecture honors contemporary Haudenosaunee artists – The Miscellany News
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